July 2010: Croatia.

It’s been a while since I updated the blog, due mainly to the volume of work I’ve been undertaking. However in July I took a much needed break and travelled around Croatia visiting Dubrovnik, Split and many of the idyllic islands in between. A country of contrasts, it seems like just yesterday that I watched the bombs reigning down on Dubrovnik destroying what was once a beautiful city. Today if it wasn’t for the museums to remind you of what happened you would never believe it as you walk around the peaceful, vibrant and almost too picture perfect country. The only sense of any conflict is when you travel through the only part of the coast still in Bosnian control and see the huge warships sitting menacingly in the bay!

June 2010: Ravensbourne College. Greenwich Peninsular. London.

Working late one night at the O2 in Greenwich, I came out to be confronted by the setting sun hitting Foreign Office Architects new building for Ravensbourne College. A cool and interesting building covered in tiles inspired by gothic rose windows and flower patterns interpreted as an abstract mathematical construction. Too good an opportunity to bypass I got the camera out and took a couple of quick shots. A fitting location for a digital media and design college with seven different shaped windows created using only three tile shapes. To my eye the building reminds me somehow of Gaudi and his work in Barcelona. I’d love the opportunity to spend more time photographing the building properly once all the hoardings are down and be the photographer responsible for all the marketing shots.

May 2010. Renzo Piano’s Central St Giles. London.

This month I was lucky enough to photograph Renzo Piano’s first finished UK building, Central St Giles, located directly behind New Oxford Street in the shadow of Richard Seifert’s Centre Point and opposite the historic Angel pub and Henry Flitcroft’s Palladian church on St Giles High Street in Central London. Built on the site of an old MOD office block, the new building is incredibly bright, multi-coloured and designed to rejuvenate an area that previous had only two contributions to popular culture, leprosy and alcoholism. In 1101, Queen Matilda founded a leper hospital and colony at St Giles, causing a social stigma that plagued the area for centuries. The term “off the wagon” meaning someone returning to drinking was coined when the condemned on their way from Newgate Prison to be hung at the Tyburn Tree were allowed off their prison wagon for a last beer at the Angel Pub and William Hogarth’s famous engraving Gin Lane depicting a drunken mother in the squalor of an 18th century London slum was also set there.
After such a chequered history Central St Giles couldn’t be more different, the external facade of the building is broken up into 13 vertical colour-coded panels. The idea being to break up what would otherwise be a very large and boring mass by creating fragments rather than a single whole. This idea has defined many of Piano’s large buildings including the Shard, whose very name is derived from the vast sheets of glass that are to be overlaid onto its surface.

Each coloured panel consists of 134,000 prefabricated glazed terracotta tiles hung, by an internal chassis carrier system, as a decorative veneer. The tiles are incredibly durable and are expected to retain their bold colours forever. The colours themselves were chosen from hundreds of options to work well with each other but also with the local buildings and trees. A full-size panel mock-up was erected on site to test the colours before the final six were chosen.
The building was a joy to photograph being beautifully detailed with Piano’s trademark fluency and precision. The external colour scheme and tiles are also echoed inside. The rear wall of the entrance lobby, lift doors, handrails and even the lift displays are colour co-ordinated. The building might not be to everyones taste, but after photographing and studying it extensively I find it amazing.

May 2010. Central London skyline.

Needing to access the roof of Centre Point for another commission and managing to charm our way to the very top I found myself on a small walkway just behind the huge Centre Point lettering at the top. Not the most secure location and with the wind blowing us around, my heart was certainly in my mouth, but the opportunity to get shots from this height don’t come along every day. The easiest way to handle the ordeal was to focus 100% on the camera and the shots. I have to say I was glad to get down, but once down wanted to go straight back up!

May 201o: Prospect Cottage and beach shed. Dungerness. Kent.

As much as I love London, sometimes I need to go for a long drive and get away, clear the head and see something different. Dungerness is certainly different and about as far removed from the centre of London as you can get. An endless shingle beach lined with derelict beach sheds and quaint wooden cottages are all overlooked by the ever imposing nuclear power station. Guglielmo Marconi, best known as the ‘man who invented radio, used a structure on the beach for research and development in the transmitting of radio signals – and in 1899 he became the first person to send a message across the English Channel.

The most famous resident was the author Derek Jarman who built the black tarred timber Prospect Cottage which has raised wooden text on one side taken from the John Donne’s poem, The Sun Rising. The shingle cottage-garden famous in it’s own right has been the subject of many books and photographs. An interesting house and well worth a visit. Dungerness is a popular location for photo shoots and tv programmes, the light and scenery are amazing, but a visit to Dungerness wouldn’t be complete without a fish and chip lunch in the Britannia pub.

May 2010: Hells Angels Funeral, Hackney Road. London

There are few things are as visually impressive as a full on Hells Angels funeral and judging by the numbers present at this one, the deceased was a beloved and highly respected member of the original UK chapter, issued in 1969 in London’s East End. Charger who died in an accident on the A1 on his way to a party had been a member for 38 years. Clearly a popular man attracting mourners from all over the world to show their respects. RIP Charger.

April 2010: The O2 from a crane and street art.

Another interesting and eventful weekend.
After completing my first every 5 mile running race I went straight off too a commission photographing the O2 whilst suspended from a bungee crane 200 ft above their car park.
Despite my legs being a little wobbly, it was Interesting to see the place from such a great perspective as the cage span and swung around and around! It is still an amazing structure, and one of my favourite buildings in London. Anthony Gormley’s Quantum Cloud so in keeping with the whole site sits on the rivers edge.
Immediately afterwards I had to photograph the crowd at a Peter Gabriel concert. The client wanted crazy hedonism, but unfortunately no one told the audience who sat in quiet reverence throughout.
On the upside, as I negotiated my way past the layers of security and pass requirements I saw that they are using one of my images to welcome guests to the venue. I just love to see my work presented loud and proud.




Sunday I took my daughter around Hoxton in search of street art for her school project, and was luckily enough to bump into some interesting people, one of who showed us around Cordy House, an amazing building packed full of art by the most prominent street artists around. A huge thank you to Garfield for pumping my daughter with so much enthusiasm. His site can be seen at http://mutatebritain.wordpress.com/ I nicked the images above from his site, it's of my favourite piece, a 3d piece by Chu, totally breathtaking when you see it in real life,